Why English Loves Straight Lines: How the Language Trains Us to Think Clearly — and Coldly
Imagine reading a sentence in English. It begins with a subject, then a verb, then an object — straightforward, unambiguous, progressing in a single direction. From the earliest lessons in school, we learn that sentences should flow from beginning to middle to end, each part building upon the last in a neat, linear fashion. This structural simplicity makes English remarkably efficient for communication: ideas are presented in an order that clarifies cause and effect, responsibility, and progression.
But what if this architectural elegance of English extends beyond grammar and vocabulary? What if the very way the language is built influences not just how we communicate but how we think, shaping our perceptions of time, responsibility, emotion, and connection?









